Well, I never thought of Alice In Wonderland as a particularly feminist fairy tale of a movie, what with Johnny Depp and all. Alice is, you might note, not much taller than a teapot. But HuffPo blogger Marcia Reynolds apparently sees past the Mad Hatter to find several models of womenpower jumping off the 3D screen:
What I found even more interesting than the 3D effects was the way the three female characters used their power. The Red Queen chopped the heads off of anyone who disagreed with her. The White Queen, due to her commitment to peace and the sanctity of life, could not defend herself. Alice had to learn how to claim her power, slay evil, be benevolent instead of brutish when the situation called for compassion and above all, take charge of her own life and destiny. The distinction in the uses of power is important to realize for all women, young and old.
Interesting, that. Reynolds goes on to mention other movies, too, where the girls, no longer “damsels in distress”, become take-charge chicks, who not only claim their independence, but their power, too. Even more interesting, she draws a comparison from the likes of Shrek’s Fiona to today’s twentysomething women:
How is this shift playing out in society? According to the Bem Sex Role Inventory, an increasing number of college-age women demonstrate qualities that are traditionally used to define masculinity, such as being self-reliant, independent, able to defend one’s beliefs, willing to take risks, and able to make decisions easily. However, these women also score high on traditionally feminine traits such as sociable, compassionate, understanding, and eager to work with others. The results demonstrate that women aren’t becoming more like men. They are becoming stronger as women.
As self-images go, darn good: You can do anything! You can do everything! The scary old dragon? Slay it yourself! And you can do it in Manolos… But here’s where the message slides down the rabbit hole: With all those options, with all those expectations, comes pressure. Pressure to commit to one option, when you now know something better might be waiting right around the corner. Pressure to please that iconic self, whether it be Alice or Fiona. Pressure to do it all — set up shop in the corner office, but don’t forget the cupcakes.
And pressure to be perfect when, in many cases, good enough is, you know, good enough. As we learned from Barry Schwartz, the guru of choice psychology, when options increase, expectations do, too. You tell yourself that with so many options, one of them must clearly be perfect. But when it it turns out to be merely good, you can’t help but be disappointed. You should have made a better choice.
That’s where we still have work to do: navigating the choices, dealing with the expectations, and understanding both how far we’ve come — and how far we have to go. Which, in a silly kind of way, brings us back to Alice and his Deppness:
“Take some more tea,” the March Hare said to Alice, very earnestly.
“I’ve had nothing yet,” Alice replied in an offended tone: “so I can’t take more.”
“You mean you can’t take less,”said the Hatter: “it’s very easy to take more than nothing.” *